Easily clip, save and share what you find mr poster broad ripple family and friends. Easily download and save what you find. Creatively too, the first few months of the year provided few titles to get excited about. However beginning in April, a string of very good films — mixed in with the very bad — ultimately turned 2003 into one of Korean cinema’s best years yet, from both an artistic and a commercial perspective.
They are listed in the order of their release. 1980s nostalgia has produced cheeky and heartfelt comedies such as Conduct Zero and Bet on My Disco, as well as sincere dramas such as Champion, looking back into the troubled decade with a mixture of longing, fondness and melancholy. Although some of these movies are excellent, it is about time that quality films like Memories of Murder blow away the pearly haze surrounding the 1980s, and expose its dark underbelly. Perhaps no Korean film of recent years has had a greater commercial impact than the romantic comedy My Sassy Girl. The film made instant stars of its leads Jeon Ji-hyun and Cha Tae-hyun, and My Sassy Girl remains the best-selling Korean DVD ever produced. Adaptations of internet-based novels have become a new trend in Korean cinema, following the success of the famous My Sassy Girl in 2001. Young director Jang Joon-hwan first drew notice in the Korean film industry for a 30-minute short he made in 1994 called 2001: Imagine.
The film impressed a lot of people, and so when news surfaced that he was shooting his feature debut, it created a fair amount of expectation. His greatest wish is to meet his own mother, who had apparently abandoned him in the temple. Jang Na-ra as both “The Girl” and Gyun-woo rolled into one, trampling and squashing other characters like a Macarena-dancing Godzilla. Let me put it plain and clear at the outset: if you are not a big fan of Jang Na-ra, you have basically no reason to watch this film. Between the years of 1986 and 1991, a small village in Korea’s Gyeonggi Province was witness to the rape and murder of 10 women, all in the same groteque and brutal manner. Korea had never before experienced serial murders of this kind, and an intense media frenzy and police investigation followed.
Having opened against the monster hit Memories of Murder and the Hollywood juggernaut X-Men 2, Mr. Butterfly did not-too-bad business with more than 600 thousand tickets sold nationwide, but was almost universally panned by the critics. Later, the film created a mini-controversy when it was invited to be screened at the Critics Week for the Venice International Film Festival, accompanied by the official selection A Good Lawyer’s Wife. Oseam, based on a popular story by Jeong Chae-bong, generated a disappointing box office figure in May 2003, despite the high anticipation in some circles.